Thursday, October 06, 2011

Sam Most - The Master of the Bebop flute.

Legendary jazz bebop flautist in concert with Rein De Graaff Trio
The worlds greatest jazz flautist (Charles Mingus)
Hans Koert

Sam Most - The Master of the Bebop Flute (English) Sam Most: jazzlegende te gast bij Rein De Graaff (Nederlands)


A few years ago I was pointed by Fernando Gelbard to flute, clarinet and alto saxophone player Samuel Most, better known as Sam Most. This bebop flute player seems to be almost forgotten now and that is undeserved, as he was one of the first to play bebop on flute. Rein de Graaff, Dutch senior piano player and promoter of jazz concerts with legendary, forgotten jazz musicians, heard him, while in LA last year and invited him to come over to Europe for a small tour. This month, Sam Most, 80 years old now, can be heard in the Netherlands in a couple of concerts in Groningen, Dordrecht, Leiden, Heist-op-den-berg, Deventer, The Hague and Heerde with the Rein De Graaff Trio, enlarged with Ellister Van Der Molen, a young Dutch trumpet player.

Sam Most and Joe Farrell ( photo courtesy: Don Schlitten - Xanadu Records)
He was among the first to sing or hum the melody lines into his flute while playing. The New Grove Dictionary describes this as: Players using this technique sing with the instrumental line, and the resulting combination of differing timbres and intonations creates a low-pitched buzzing quality. Later musicians like Herbie Mann would develop this way of playing: Sam Most was the first jazz flautist to sing and play together. (Herbie Mann) and in the 1960s and 1970s musicians like Yuseef Lateef and Roland Kirk adopted this technique.
Sam Most and Frank Collett at Sage and Sound studios - Hollywood (1986) (photo courtesy: Fernando Gelbard)
Sam Most was born in Atlantic City, December 1930. He had a (much) older brother Abe Most, who became a professional clarinet player in swing bands and who played with Les Brown, Bob Crosby, Wild Bill Davison and Tommy Dorsey. Sam was raised in a musical family; both is father and mother, born Lithuanian, loved to sing. As a young child he and his family moved to New York City, as an anonymous had threatened to kidnap the twins ( Sam was part of a twins) if his parents wouldn't pay US$ 10,000. When Sam was 17 he became fascinated by musicians like Ben Webster and Erroll Garner and founded his own group. Late 1940s he toured with Shep Fields for eight month and played with Tommy Dorsey and Charles Mingus, who labelled him as the
Worlds Greatest Jazz Flautist.
Fernando Gelbard and Sam Most (at the piano) rehearsing for the album Any Time Any Season (1986) (photo courtesy: Fernando Gelbard)
One of his first albums was with his own group, the Sam Most Quartet plus Two, featuring Doug Mettome on trumpet, Urbie Green on trombone, Bob Dorough at the piano, Percy Heath on bass and Blue Bells ( = Louis Bellson) on drums. During the 1950s he played with great names like Paul Quinichette, Herbie Mann, our Dutch born accordion player Mat Mathews and his colleague Angelo di Pippo, still active nowadays, but less known here, Pat Moran and Chubby Jackson. In 1954 Sam Most won the New Star Down Beat poll.
Sam is responsible for several great albums during this period, like Sam Most plays Bird, Bud, Monk and Miles ( on Bethlehem)( 1957); with his sextets (the before mentioned 1954 released Debut album) and can be heard on Moods by Paul Quinichette All Stars, which was recently reissued by Lonehilljazz ( Paul Quinichette plays Quincy Jones ) ( LHJ10346) lps. It was the only one I could listen to and it's really a pity that most of his early records are now rare collectors items, that deserve to be reissued.
Tal Farlow and Sam Most ( on clarinet) (photo courtresy: Don Schlitten - Xanadu Records)
During the years to follow Sam moves to the West Coast and finds a job at the numerous studio bands, thanks to his brother Abe. He can be heard in the bands of Buddy Rich with Sammy Davis Jr., Tommy Vig and Louis Bellson, but he also made some great albums like But Beautiful, Flute Flight and Mostly Flute, which is said to be one of the best albums Sam Most recorded, featuring Duke Jordan and Tal Farlow. Hope to hear one of these in future! Enjoy the tune The Eyes Have It, recorded by the Sam Most Quartet featuring Sam Most on flute, George Muribus piano, Putter Smith bass and Will Bradley jr. drums. The tune was released on the album But Beautiful, recorded in Hollywood, the 16th of May, 1976.
From the 1970s onwards Sam made records for Xanadu and he is the author of several books about Jazz, like Metamorphosis Transformation of the Jazz solo and Jazz Improvisation - a manual about improvisation for young jazz students. In the documentary Sam Most - Jazz Flautist by Fernando Gelbard, Sam quotes Clarke Terry about the three phases in learning how to play jazz: imitate, assimilate and innovate.(quote: Clarke Terry). LiquidJazz.com, produced by Fernando Gelbard has released four albums by Sam Most, available at all digital stores worldwide (Itunes, Amazon, Emusic, Napster etc) and also as cd's from amazon.com. Soon two albums of bebop flute solos (no rhytm section) with original tunes by Sam based on standard's chords, will be released soon. If you write to LiquidJazz.com , you can ask for a free mp3 song from any of the albums, including the not released ones, valid until the 30th of November, 2011.
Sam Most (1986) (photo courtesy: Fernando Gelbard)
He is still active playing the flute, the clarinet, but he is also a great scat singer, as he demonstrates on Route 66, at a concert at More Art's Stage One with with Gary Fukashima (piano) Ryan McGillicuddy (bass) and Ryan Doyle (drums).


Sam Most will visit The Netherlands for seven concerts with the Rein De Graaff Trio ( featuring Rein De Graaff at the piano, Marius Beets at the bass and Eric Ineke on drums.). Ellister Van Der Molen will play as a guest on most gigs too. More info about these concerts at the Dutch version of this blog: Sam Most: Jazz legende te gast bij Rein de Graaff.
Hans Koert
keepswinging@live.nl
Sam Most is one of those jazz legends of the 1950s that seems to be forgotten now. During the 1950s he was the first one who played bebop on his flute. He used the technique of humming and singing, while playing the melody line on his flute, which gives a very special effect, that fits well into his music. Sam Most is scheduled with the Rein De Graaff Trio in a Dutch tour labelled as Master of the Flute. The trio of Rein will be enlarged with Ellister Van Der Molen on trumpet and in Groningen with Ben van Gelder on alto saxophone. Keep Swinging hopes to be at one of the concerts to enjoy this great Legend of Bebop. If you don't want to miss any Keep Swinging contribution, follow it at Twitter ( #keepswinging) or ask for its free newsletter ( keepswinging@live.nl) which has a Dutch and an English version.


Retrospect
Oscar Aleman Choro Music Flexible Records Hit of the Week-Durium Friends of the Keep Swinging blog Keep Swinging Contributions

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Saturday, November 03, 2007

Kenny Dorham Remembered

( Naar de Nederlandse vertaling.)
A week ago I posted a call from Evette Dorham, daughter of the great bebop trumpet player Kenny Dorham. Several people responded to her appeal and shared their remembrances. Evette received also some reactions at her email address and talked by phone. A rather extensive reaction came from Fernando Gelbard, who shared his remembrances to Oscar Aleman in a previous blog, I love to share with you.

Fernando Gelbard writes: I Myself and a group of musicians who cherish harmony (we love Clare Fischer, The Hi Los, The Singers Unlimited etc.) also cherish Kenny Dorham solos. His harmonic concept was unique...The phrases and nuances un Kenny's playing were always loved and admired. I had the chance of hearing him in person in Buenos Aires sometime in the 60's (I think) when he went with a group of players including Al Cohn and Zoot Sims. I can't forget his solo in "The Falling Leaves". It was recorded by Milrud, the sound man, and later released as a pirate cd (I don't have it). Another legendary solo (in my opinion and my friends, all musicians) is that on "It could happen to you" with Jackie McLean, alto sax (not on that tune); Walter Bishop, piano; Leroy Vinnegar, bass; Art Taylor, drums. from the album "Inta Somethin'" . That solo contains phrases that I keep in my mind. In later years I played with Leroy Vinnegar in Los Angeles!! You know my music, Hans, you have listened to some of the music I produced and composed and I assure you that Kenny was always present. The Guido Basso Quartet album "Guido Basso" with Guido on fluegel, Frank Collett on piano, Andy Simpkins on bass and Terry Clarke on drums, although it wasn't said, was a tribute to Kenny. I would have recorded Kenny if he were alive.

Another thought, is that even when I lived in Argentina in the 60's and listened to Kenny, I thought many, many times how he and I, with our different backgrounds, felt the same emotions when we listened or played Round About Midnight, or any other ballad, those that touch your heart deeply. Fernando Gelbard

Evette Dorham asked me to post her sincere thanks to the jazz lovers around the world who continue to enjoy her dad's music. One of your readers, she says, Mr. Han S. has already contacted me to follow up & will try to get an article to me. I learned that all things have a season and I feel this is another season to encurage jazz lovers around the world to continue to listen to and enjoy my dad's music. Every person I meet who knew my dad well, tells me how he cared about how his fellow musicians fared. He enjoyed working with so many greats but I do remember a period when several frequented our home during a period of time. To visit, have a meal, work on music together (you know dad was a prolific arranger), discuss their upcoming plans & to be in support of each other. I remember well the Adderley Brothers who were so kind, Thelonious Monk, very soft spoken with a quick smile different from the public personea I read about, Max Roach who was like a brother to my dad and my godfather Milt Jackson, come to mind quickly.
Very best regards, Evette


If you have a subject that should be discussed here and you love to share it with the visitors of this blog please contact me ( keepswinging@live.nl ). Maybe you're the next guest contributor.

I love to wish Jørgen, Theo and Ton a great reunion tonight after the concert of the Dutch Swing College Band at the Alsion in Sønderborg, Denmark. Enjoy !!

AT RANDOM:
TAL FARLOW

A series of recordings from his golden period 1954-1958
GIANTS OF JAZZ CD 53247


Time exposure for the 3rd of November:
1927:

  • curly headed woman = burnett & rutherford
  • black and tan fantasy / chicago stomp down / what can a poor fellow do = duke ellington o

1957:

  • all the things you are / four / get happy / i can't get started / i'll remember april / i've got you under my skin /night in tunesia / old devil moon / softly as in a morning sunrise / sonnymoon for two / striver's row / what is this thing called love/ woody 'n' you = sonny rollins trio
Keep swinging

Hans Koert


keepswinging@live.nl

PLAYLIST
thelonious monk/genius of modern music - volume 1 = miles davis/miles smiles = tal farlow/giants of jazz = mary lou williams/jazz in montreux '78 (dvd) = toots thielemans/one more for the road

Nederlands ( To the English translation )

Een week geleden plaatste ik een berichtje van Evette Dorham, dochter van de grote bebop trompettist Kenny Dorham. Verschillende lezers reageerden op haar oproep om herinneringen over haar vader met haar te delen; sommigen vertelden hoe ze nog steeds genoten van zijn platen; anderen stuurden uitgebreide reacties, zoals Fernando Gelbard, die eerder ook al zijn herinneringen aan Oscar Aleman aan ons vertelde. Zijn herinneringen aan Kenny Dorham vind je hieronder.

Fernando Gelbard schrijft: ( vertaald in het Nederlands) Ikzelf en een groep andere musici koesteren muziek gebasseerd op harmoniën; we zijn fan van Clare Fischer, The Hi Los, The Singers Unlimited etc.) en ook van de solo's van Kenny Dorham. De manier waarop hij de noten met elkaar in verband bracht was uniek. De muzieklijnen en akkoorden waren altijd doordacht. Ik prijs me gelukkig hem te hebben zien spelen in Buenos Aires (Argentinië), ergens in de jaren zestig denk ik. Hij speelde daar met een groep, waarin ook Al Cohn en Zoot Sims zaten. Ik zal zijn solo in "The Falling Leaves" nooit vergeten. Het is opgenomen door Milrud, een geluidstechnicus, en later als bootleg cd ( ik heb hem helaas niet) verschenen, Nog zo'n legendarische solo ( dat vinden zowel mijn vrienden als ik ) is "It could happen to you" met de groep van Jackie McLean, de altsaxofonist ( die hier niet meespeelt), Walter Bishop op piano; Leroy Vinnegar op bas en Art Taylor op slagwerk. zoals verschenen op de plaat Inta Somethin' . Die solo bevat delen , die ik steeds in mijn hoofd heb onthouden. Later speelde ik een keer met Leroy Vinnegar in Los Angeles!! Je kent mijn muziek, Hans, je hebt ook geluisterd naar muziek die ik geproduceerd heb, ik verzeker je dat Kenny altijd aanwezig was. Het Guido Basso Quartet album "Guido Basso" met Guido op bügel, Fank Collett aan de piano, Andy Simpkins op bas en Terry Clarke op slagwerk, is een Trubute aan Kenny Dorham geworden. Als Kenny nog geleefd zou hebben had ik zeker uitgenodigd met hem een plaat op te nemen.

Nog een andere herinnering: Toen ik in de jaren zestig nog in Argentinië woonde en naar Kenny Dorham luisterde vroeg ik me vaak af hoe het mogelijk was dat zowel Kenny als ik, met onze verschillende achtergronden, blijkbaar dezelfde gevoelens hadden bij het luisteren en spelen van nummers als Round About Midnight, of welke andere ballad ook, die ons na aan het hart lag.

Fernando Gelbard

Evette Dorham vroeg me om haar dank over te brengen aan alle jazzliefhebers over de hele wereld die nog steeds genieten van haar vader's muziek. Ze heeft al reacties ontvangen en telefonisch contact gehad n.a.v. deze oproep. Ik ontdekte, schrijft ze (vertaald naar het Nederlands), dat er van alles blijkbaar een tijd is en ik voel dat er nu een nieuwe periode is aangebroken waarin ik iedereen wil aanmoedigen naar de muziek van mijn vader te luisteren. Iedereen die ik ontmoet of spreek en die mijn vader goed gekend hebben wijzen me op het feit dat hij steeds meeleefde met de andere leden van zijn band. Hij vond het fijn om te werken met de grootten en ik herinner me dat er een tijd was dat die vaak bij ons over de vloer kwamen; voor een bezoekje, om een hapje te eten, samen aan muziek te werken ( mijn vader arrangeerde ook vaak), elkaars plannen te bespreken en als het nodig was, om elkaar te steunen. Zo herinner ik met de Adderley Brothers (Nat en Cannonball) die heel aardig waren en Thelonious Monk, die heel zacht sprak en naar me kon glimlachen; heel anders dan zoals je over hem leest. Verder denk ik aan Max Roach, die als een broer voor mijn vader was en mijn peetvader Milt Jackson.
Hartelijke groeten,
Evette Dorham

Als je zelf een onderwerp hebt bestudeerd, dat, volgens jou, prima past in het concept van deze weblog en je wilt het delen met anderen zoek dan contact: keepswinging@live.nl

Veel plezier, Jørgen, Theo en Ton, op jullie kleine reunietje vanavond en ik hoop voor jullie op een swingende avond in het Alsion vanavond met de Dutch Swing College Band in Sønderborg ( Denemarken)

AT RANDOM:
TAL FARLOW

Een serie opnamen uit zijn gouden periode: 1954 - 1958
GIANTS OF JAZZ CD 53247


Tijdopname voor 3 november:
1927:

  • curly headed woman = burnett & rutherford
  • black and tan fantasy / chicago stomp down / what can a poor fellow do = duke ellington o

1957:

  • all the things you are / four / get happy / i can't get started / i'll remember april / i've got you under my skin /night in tunesia / old devil moon / softly as in a morning sunrise / sonnymoon for two / striver's row / what is this thing called love/ woody 'n' you = sonny rollins trio
Keep swinging

Hans Koert


keepswinging@live.nl

SPEELLIJST
thelonious monk/genius of modern music - volume 1 = miles davis/miles smiles = tal farlow/giants of jazz = mary lou williams/jazz in montreux '78 (dvd) = toots thielemans/one more for the road


Keep Swinging Oscar Aleman Flexible Records Choro Music Hit of the week - Durium

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