Thursday, September 04, 2008

Smokey Wood: The Houston Hipster

( Naar de Nederlandse vertaling.) MAX ROACH: DEEDS NOT WORDS MICHAEL COCHRANE: 60
Today a jump aside. I found myself a great album with so-called Western Swing by Smokey Wood - The Houston Hipster. Western Swing from 1937 on a Rambler LP. I bought it, because I loved to have a Western Swing LP, thanks to the great cartoon cover and the price: € 2.50.
S
mokey Wood was a complete unknown name to me and I learned from the lengthy cover text on the album that he was a rather underground outlaw in his times. He was born as John Bryce Wood in September 1918, 90 years ago in Harrison, Arkansas, where his father was a railroad engineer and his mother a piano player. When he was a teenager during the 1930s he was living right in the middle of the Houston Music scene. Times were tough due to the depression and they started to make music in the beer joints out of Houston, earning one dollar a night with some tips extra. They couldn't play in clubs because they were no member of the Union. The Union didn't accept people who played hillbilly music like they did, so they had to play in café's and beer joints.
John Bryce Wood got the nickname Smokey because he always smoked weed and that kind of stuff. He even would pop it right there on the stand - it didn't made no difference where they were. He lit 'em on both ends and smoked 'em in the middle. They bought that stuff by the pound, two pounds, whatever. Even grew some for awhile there, between the signboards right off Main Street in Houston, Texas. Had about twenty, thirty stalks growing. He started to make radio programs with his band, named the Modern Mountaineers.


This band made several records in March 1937 some reissued for the very first time on the A-side of this album. Eight tunes, including the tune Everybody's Truckin', which became a hit. Listen to it:

Everybody's Truckin' - Modern Mountaineers: Hal Herbert reeds, J.R. Chatwell fiddle, Smokey Wood at the piano, J.C. Way on the steel guitar, Lefty Groves on the guitar, Johnny Thames on banjo and Rip Ramsey at the bass. The vocals are by Smokey Wood and Lefty Groves. The tune was recorded at the Texas Hotel in San Antonio, the first of March 1937.

The second half of the record was dedicated to one of his other bands: Smokey Wood and the Wood Chips, who made at least eight tunes a half year later.

On the album a lengthy story about Smokey Woods and his life, which seems to be rather remarkable: Smokey was shouting blues vocals, pumping kick-ass swing piano, and puffing all the weed that the Lone Star State could supply. He lived the life he sang about - lived it in dingy beer joints and one-lung radio stations far from the networks and international promoters. While a later breed of urban cowbody would make it big in the media, Wood, under a cloud of friendly, fragrant smoke, just faded away into obscurity.
When Smokey passed away, January 1975, they found some music in a trunk he wanted to have played at his funeral, but only a few people were gathered around his coffin. His wife got the music, but couldn't play it in the Western Swing style, as Smokey must have had in mind. His wife was a church organ player. Oh I can't play it like that. I play only church music: she said, but some minutes later the tunes were suddenly played on the church organ; the most swinging church music you could imagine. Everybody was surprised, that his widow could play it like that, but when they rushed to the organ they saw a stranger behind the keyboard: What in the hell? They said. Well, the man said, I'm up here just trying to sell an organ. I was listening to this lady and she said: Would you play this for me?. And I just sat down and started playing. ......
The extensive liner notes on the cover are by Marty Pahls and Jeff Richardson.
Love to finish with a fragment by Commander Cody and his Lost Planet Airmen performing "Everybody's Doin' It," a cover of the Modern Mountaineers song "Everybody's Truckin'," in the 1976 film Hollywood Boulevard.

Hans Koert -
keepswinging@live.nl

MICHAEL COCHRANE: 60 YEARS
Today, the 4th of September 2008 the US piano player Michael Cochrane hopes to celebrate his 60th birthday. He made nine albums as a leader and I really love my Steeple Chase copy of Cutting Edge, he recorded in september 1997. Tonight he will play with Sonny Fortune Quartet in Iowa and I love to wish him a great concert. Make it a party !!Keep swinging

Hans Koert


keepswinging@live.nl

Nederlands ( To the English translation )

MAX ROACH: DEED NOT WORDS
Max Roach slagwerk - Booker Little trompet - George Coleman tenorsax - Ray Draper tuba - Art Davis bas.
Deze schitterende plaat is één van Max Roach beste en mag in geen enkele verzameling ontbreken (al was het alleen al vanwege Ray Draper's tuba). Hij werd opgenomen op 4 september 1958, dus vijftig jaar geleden op de kop af.



MICHAEL COCHRANE: 60 JAAR
Vandaag, 4 september 2008, hoopt de Amerikaanse jazzpianist Michael Cochrane zijn 60ste verjaardag te vieren. Hij maakte negen albums tot nu toe en ik hou zelf erg van zijn muziek zoals die op zijn SteepleChase CD Cutting Edge te vinden is, opgenomen september 1997. Vanavond treedt hij op in Iowa met het kwartet van Sonny Fortune. Maak er een feestje van, Michael !!

SMOKEY WOOD: Een hippie avant-la-lettre

Smokey zong bluesnummers en wilde, ruige swing op de piano en rookte alle hash, die in de Lone Star State ( = Texas) te vinden was. Hij leefde zoals in zijn liedjes - in smoezelige kroegen en speelde bij obscure radio stations, terwijl later geboren stads-cowboys grote hits maakten, zakte Smokey weg, in een mist vol hallicunerende nevels weg in het onbekende. Morgen meer over deze Hippie Avant La Lettre.

Labels: , , ,

Sunday, April 06, 2008

Clifford Brown

( Naar de Nederlandse vertaling.)
One of those legendary trtumpet players of the 1950s is Clifford Brown - Since mid 1954 he teamed up with Max Roach in their famous Clifford Brown-Max Roach Quintet, responsable for a lot of great recordings on Blue Note, Pacific, Emarcy and Mercury. On the 22nd of May Max Roach and Clifford Brown started a summer tour along clubs, starting for a week at the Patio Club in Washington, another week at the Cotton Club in Cleveland, Ohio and gigs in The Rouge in River Rouge, Michigan and the gig at the Continental Restaurant in Norfolk, what happended to become his last performances that was taped. On the 26th of June, a week after the Norfolk concert Clifford Brown and Richie Powell, the younger brother of Bud Powell, pass away at a car accident. This last record was released by Rare Live Recordings as Clifford Brown / Max Roach Quintet - The Last Concert ( RLR 88617)
Thanks to Lonehill Jazz we can now enjoy the Cotton Club concert taped during three days of their week engagement, the 28th and 29t of May and the first of June 1956. The members of the Clifford Brown-Max Roach Quintet were: Clifford Brown ( I play the trumpet, my name is Clifford Brown, he announces himself), Sonny Rollins ( and on the tenor saxophone the guy who all of it brings us the most pleasure, Sonny Rollins), Richie Powell at the piano ( Did you enjoy him ?), George Morrow on bass and The World's Greatest Drummer Max Roach.

One of the great pleasures of live recordings are the lenghtly tunes, not limited to the space on the record. This 3CD contains for example a lenghtly 13'39" version of Billy Strayhorns Take The A Train, eight minutes extra comparing their February 1955 recording for Emarcy. The 2CD contains more then 2 and a half hours of great music. The bonustracks of this 3CD contain an unreleased radio broadcast made in February 1956 from the Town Casino in Buffalo, NY which features the only known version of Round Midnight played by Clifford Brown.

This 3CD contains valuable previous unreleased stuff that should be in any Clifford Brown-Max Roach collection and although the amateur equipment used to record this concert make the sound quality not up to today's standards, this CDbox release by Lonehill Jazz is a must have ....
CLIFFORD BROWN at the COTTON CLUB 1956 - Lonehill Jazz LHJ10292 (3CD))
JAZZ ON CD: The glossy magazine Jazz On CD was published in the early 1990s. Each magazine contained a free promo record with a rather good selection of tunes. I have the Jazz on CD Treasurehouse (MMP Jaz/3CD ) and Home Cooking ( MMP Jaz/4 CD ) including the magazines, so I have some discographical information to date the records.
Recently I found a sole Jazz On CD promo CD titled Stash Bash ( MMP JAZ/5 CD) which means that it was a free CD for the September 1993 issue I guess. I love to have a scan or copy of the two pages that read This Month's Cover Compilation, so I can date this selection: Please contact me at
keepswinging@live.nl


AT RANDOM:

MILES DAVIS QUINTET - E.S.P. : Miles Davis trumpet - Wayne Shorter tenor sax - Herbie Hancock piano - Ron Carter bass - Tony Williams drums. Recorded in Hollywood 20th of January 1965.

Keep swinging

Hans Koert


keepswinging@live.nl

Nederlands ( To the English translation )

De meest bekende van alle legendarische trompettisten uit de jaren vijftig is ongetwijfeld Clifford Brown - Sinds de zomer van 1954 richtte hij, samen met Max Roach, een top kwintet op, genaamd het Clifford Brown-Max Roach Quintet, die een heleboel schitterende LPs maakten op labels als Blue Note, Pacific, Emarcy en Mercury. Op 22 mei 1956 begonnen Max Roach en Clifford Brown met hun groep aan een zomertour, een serie concerten langs clubs met, om te beginnen, een week-engagement in de Patio Club in Washington, daarna een week in de Cotton Club in Cleveland, Ohio en verder optredens in bijvoorbeeld The Rouge in River Rouge, Michigan en het Continental Restaurant in Norfolk; dit optreden zal later de geschiedenis in gaan als één van hun laatst opgenomen concerten: op 26 juni 1956, een week na het Continental restaurant concert verongelukken Clifford Brown en Richie Powell, het jongere broertje van Bud Powell, tijdens een auto-ongeluk. Deze laatste opnamen zijn bewaard gebleven op de dubbel-CD van Rare Live Recordings als Clifford Brown/Max Roach Quintet - The Last Concert ( RLR 88617)
Dankzij Lonehill Jazz kunnen we nu ook het concert in de Cotton Club van Cleveland beluisteren, vastgelegd tijdens drie avonden: 28 en 29 mei en 1 juni 1956. Het Clifford Brown-Max Roach Quintet bestond uit: Clifford Brown (I play the trumpet, my name is Clifford Brown, he announces himself) (= Ik bespeel de trompet - Ik ben Clifford Brown, kondigt hij zichzelf aan), Sonny Rollins ( and on the tenor saxophone the guy who all of it brings us the most pleasure, Sonny Rollins) (= en op de tenorsax de man waarmee we allemaal verguld zijn, Sonny Rollins), Richie Powell aan de piano ( Did you enjoy him?)(= Hebben jullie van hem genoten?), George Morrow op bas en The World's Greatest Drummer Max Roach. (= en de beste slagwerker van de wereld: Max Roach).
Eén van de extra's, die live-concerten ons bieden, is de mogelijkheid om te luisteren naar langere uitvoeringen, omdat de musici niet gebonden zijn aan de speelduur van de uiteindelijke plaat. Deze 3CD ( drie CDs in één box) bevat bijvoorbeeld een lange uitvoering van Billy Strayhorns Take The A Train, acht minuten langer dan de versie uit februari 1955 van dezelfde groep, die we kennen van een Emarcy plaat. De 3CD bevat alles bij elkaar zo'n twee-en-een-half uur muziek van het Cotton Club concert - twaalf lange uitvoeringen.
Als extra vind je op de laatste CD ook nog een onuitgebrachte radio-uitzending uit februari 1956 vanuit het Town Casino in Buffalo, NY, waarop de enige door Clifford Brown gespeelde versie van Round Midnight staat.

Deze doos met drie CDs bevat waardevol onuitgegeven materiaal, dat in elke Clifford Brown-Max Roach verzameling hoort te zitten. De opnamen zijn destijds gemaakt met amateuropnameapparatuur, zodat het geluid iets minder professioneel is dan je zou willen, maar Lonehill Jazz heeft dit zo goed mogelijk gerestaureerd. Een set, waar je niet omheen kunt ......
CLIFFORD BROWN at the COTTON CLUB 1956 - Lonehill Jazz LHJ10292 (3CD))
JAZZ ON CD:
Het Engelse glossy magazine Jazz On CD is uitgebracht vanaf de vroege jaren negentig, Bij elk nummer zat een promotiecd, zoals dat ook nu nog gebeurt bij het Nederlandse Jazzism en Jazz Nu. Deze gratis Jazz On CD's bevatten opvallend goede eerder onuitgegeven selecties. Zelf heb ik twee Jazz on CDs, namelijk Treasurehouse (MMP Jaz/3CD ) en Home Cooking ( MMP Jaz/4 CD ) incl. het bijbehorende blad, waarin aanvullende discografische informatie te vinden is. Onlangs vond ik de Jazz On CD
, getiteld Stash Bash ( MMP JAZ/5 CD), echter zonder bijbehorend blad. Gezien het catalogusnummer moet hierbij het blad Jazz On CD van September 1993 horen. Graag had ik een scan of afdruk van het stukje, getiteld: This Month's Cover Compilation, zodat ik de opnamen van deze CD kan dateren: keepswinging@live.nl
Keep swinging

Hans Koert


keepswinging@live.nl

Labels: ,

Thursday, November 08, 2007

Tuba or not tuba: Ray Draper

( Naar de Nederlandse vertaling.)
Sometimes it is interesting to work out why a certain subject is chosen to todays blog. Well, a few days ago I played myself the Max Roach album Deeds Not Words and right after the first measures of the first tune, You Stepped Out Of A Dream I heard these typically harmonies that couldn't be played by a baritone or bass saxophone. I took the cover and watched the personel: I was right: Ray Draper on tuba. Enrique V. from Buenos Aires send me an YouTube link of a skilled tuba player, I will share with you at the end of this blog. When I saw this man playing the tuba I remembered the Ray Draper presence on the Max Roach album and the idea for my contribution was born.
The tuba is an instrument normally used in traditional jazz as the sousaphone, an instrument that has a lot of familiar aspects with the tuba. The tuba isn't used in modern jazz, except by such musicians like Ray Draper. Ray Draper was born in New York City in 1940 and passed away november 1982, only 42 years old. He studied at the Manhattan School of Music and recorded on the tuba with musicians like Donald Byrd and Max Roach. The album Deeds, Not Words, recorded in 1958 was on my turntable (sorry, in fact in my CD-player ) last week. Max Roach, who passed away three months ago, plays the drums, Booker Little plays trumpet, George Coleman is on the tenor saxophone, Ray Draper plays the tuba and Art Davis the bass. Around this time he also made a record under his own name, titled The Ray Draper Quintet, featuring John Coltrane. This is also one of those little Pieces of Art in my collection. What a great musician.

During the 1970s he lived for some years in England before he returned to the States, where he recorded with Brother Jack McDuff. Like so many others into the jazz scene Ray Draper couldn't leave the drugs and was several years in prison. It is tragic to learn that such a young promissing musician in the 1950s passed away during the course of a robbery november 1982.
I found a 1958 film fragment of the Max Roach - Booker Little Quintet with Ray Draper on bass. As promised I'll share the other Tuba film fragment too, featuring Øystein Baadsvik playing his own composition Fnugg on tuba.



AT RANDOM:
Winifred Atwell- The Best of Winifred Atwell
This piano player was very popular with her ragtime-styled piano pieces during the 1950s.
DECCA 6645 003 ( double LP)


Time exposure for the 8th of November:
1927:
  • where have you been all my life? = sam lanin famous players
  • are you from dixie / bill bailey = young bros tennessee band

1937:

  • got the blues for the west end / hard times ain't gone nowhere / swing out rhythm = lonnie johnson

1947:

  • folie a amphion / manoir de mes reves / melodie au crepescule / swing de paris = souvenirs de django reinhardt
  • groovin' high = barry ulanov all star metronome jazzmen
  • body and soul / don't blame me / ghost of a chance / i cover the waterfront / man i love /mean to me / my kinda love / time after time = sarah vaughan quintet
  • i cried for you = sarah vaughan septet-lester young
  • jumpin' with symphony sid / just you just me / lester leaps in / lester's bebop boogie / movin' with lester / sunday /these foolish things = lester young sextet
Keep swinging

Hans Koert


keepswinging@live.nl

PLAYLIST
winifred atwell/the best of winifred atwell (2lp) = christian mcbride/number 2 express = art farmer/the best of art farmer = history of jazz/volume 10 (lp) = blindfold test #33 1/3/randy herson = blue note/blue note trip to north sea jazz 2003 = jazz messengers (legacy)/legacy of art blakey = thelonious monk/greatest hits (lp) = cal tjader/latin kick = max roach/deeds, not words = stanley turrentine/a bluish bag = robert normann/the definitive collection 1950-71 vol. 3

Nederlands ( To the English translation )
Soms is het wel eens interessant om te vertellen hoe de keuze van een onderwerp tot stand gekomen is. Een paar dagen geleden draaide ik de plaat Deeds Not Words van Max Roach en al na de eerste maten hoorde ik al aan die typische harmonieën dat er hier geen sprake kon zijn van een bariton- of bassaxofoon. En ik had gelijk: ik herkende het geluid als Ray Draper op tuba. Gisteren kreeg ik een mailtje van Enrique V. uit Buenos Aires, die me de link van een filmpje zond waarin een andere ervaren tubaspeler. Ik hoorde deze man spelen en herinnerde me weer de Max Roach CD. Een nieuw onderwerp was geboren: Tuba or not tuba: Ray Draper.
De tuba is een instrument dat we eigenlijk alleen tegenkomen in de traditionele jazz als de sousafoon. De tuba associeer je niet meteen met de modernere jazzstijlen; het instrument verdween in de swingperiode uit de orkesten. Een uitzondering was Ray Draper. Ray Draper werd geboren in New York City in 1940 en stierf op 42 jarige leeftijd. Hij studeerde aan de Manhattan School of Music in New York en nam, op tuba, platen op met musici als Donald Byrd en Max Roach. Het album Deeds, Not Words opgenomen in 1958 speelde ik onlangs af. Max Roach, die een drietal maanden geleden overleed, speelt het slagwerk, Booker Little horen we op trompet, George Coleman speelt tenorsax, Ray Draper uiteraard op tuba en Art Davis op de bas. Rond deze zelfde tijd maakte hij ook een plaat op New Jazz 8228 onder eigen naam getiteld The Ray Draper Quintet, featuring John Coltrane. Deze plaat, met John Coltrane op tenorsax, behoort tot de juweeltjes uit mijn verzameling. Wat een plaat !!
Tijdens de jaren zeventig woonde Ray Draper enkele jaren in Engeland en toen hij terugkeerde in de Verenigde Staten maaakte hij nog opnamen met Brother Jack McDuff. Zoals zo velen in de jazzscene kon hij niet van de drugs afblijven en hierdoor belandde hij in de gevangenis. Het is tragisch om te ontdekken dat deze jonge ambitieuse getalenteerde muzikant uit de jaren vijftig, 25 jaar later tengevolge van de verwondingen opgedaan bij een overval, overlijdt, in november 1982.
Ik vond een filmfragment uit 1958 met daarop een nummer van deze Max Roach-Booker Little groep, zoals die op de plaat staat. Ray Draper uiteraard op tuba. Het tweede fragment is dat met Øystein Baadsvik, de tubaïst, waarop ik gewezen werd door Enrique V.. Hij speelt hier zijn eigen compositie Fnugg op tuba.


Een dubbelLP van een hele populaire pianiste uit de jaren vijftig, die furore maakte met haar ragtimeachtige stukjes.
DECCA 6645 003 (2LP)


Tijdopname voor 8 november:
1927:
  • where have you been all my life? = sam lanin famous players
  • are you from dixie / bill bailey = young bros tennessee band

1937:

  • got the blues for the west end / hard times ain't gone nowhere / swing out rhythm = lonnie johnson

1947:

  • folie a amphion / manoir de mes reves / melodie au crepescule / swing de paris = souvenirs de django reinhardt
  • groovin' high = barry ulanov all star metronome jazzmen
  • body and soul / don't blame me / ghost of a chance / i cover the waterfront / man i love /mean to me / my kinda love / time after time = sarah vaughan quintet
  • i cried for you = sarah vaughan septet-lester young
  • jumpin' with symphony sid / just you just me / lester leaps in / lester's bebop boogie / movin' with lester / sunday /these foolish things = lester young sextet
Keep swinging

Hans Koert


keepswinging@live.nl

SPEELLIJST
winifred atwell/the best of winifred atwell (2) = christian mcbride/number 2 express = art farmer/the best of art farmer = history of jazz/volume 10 (lp) = blindfold test #33 1/3/randy herson = blue note/blue note trip to north sea jazz 2003 = jazz messengers (legacy)/legacy of art blakey = thelonious monk/greatest hits (lp) = cal tjader/latin kick = max roach/deeds, not words = stanley turrentine/a bluish bag = robert normann/the definitive collection 1950-71 vol. 3

Labels: , , , ,